Don LaFontaine, voice of the movies, dies

Don LaFontaine, the world's most recognisable voiceover creative person, famous for voicing thousands of film trailers, has died.

LaFontaine, wHO was 68, died from complications arising from the treatment of an on-going illness.

Speaking to the Associated Press, fellow voiceover creative person Jim Tasker said: "He was the originator of the modern voiceover for movie trailers.

"He is the monetary standard for which all other voiceovers for movie trailers are measured. For the past 30 years, his voice has been the gauge for all of us in the industry."

The renowned baritone had a very typical gravelly voice and, thanks to his deft diction, went on to voice more than 5,000 trailers in a career that spanned 33 long time.

He worked until late, averaging seven-spot to 10 voiceover roger Sessions a day.

For many years, LaFontaine was chauffeured from session to session in a limousine - he insisted he could do more work if he did not take to hunting for a parking space.

While he worked behind the scenes, LaFontaine also appeared in a popular 2006 US TV ad in which he melodramatically retold a customer's mundane business relationship of dealing with her car indemnity company, spell standing inside her kitchen.

Paying tribute, fellow voiceover artist Tom Kane said: "The truth is there's only about 15 to 20 guys in the area who privy do this.

"They'll do their best to fill his shoes... To one degree or another; they're all doing their best Don LaFontaine impersonation."

LaFontaine is survived by his wife Nita Whitaker and three daughters.

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Mckenna Long & Aldridge Assists New York's Northern Metropolitan Hospital In A Groundbreaking Filing To Be A Patient Safety Organization

�New York's Northern Metropolitan (NorMet) Hospital
Association today became the first in the country to file to become a Patient Safety
Organization (PSO) with the US Department of Health and Human Services (HHS).


PSO's are private entities accepted by the Secretary to collect and analyze affected role safety events
reported by physicians and other health care providers. Aided by McKenna Long & Aldridge,
NorMet filed under the statutory provisions of the Patient Safety and Quality Improvement Act
of 2005.


NorMet could not wait for the Administration to military issue its guidelines on becoming listed as a PSO
so they filed under the statutory provisions. Said Peggy Binzer, attorney with McKenna Long &
Aldridge, who made the filing on NorMet's request. "NorMet is a leader in the healthcare field
and hopefully the Secretary testament list them in a timely fashion." Hospitals partnering with the
NorMet Hospital Association will be among the safest in the nation." A former Congressional
staffer, Binzer originally worked on the Patient Safety and Quality Improvement Act which
provides a framework recommended by the Institutes of Medicine allowing health care providers
to report data on affected role safety events (medical errors, near misses, adverse events and
other quality information) to the PSO's.


In February of this year, HHS issued proposed rules concerning aspects of the Patient Safety Act,
including the process for listing the PSO.


The NorMet PSO will be a nonprofit 501 (c) C organization. It's precedency will be to meliorate
safety and care for patients in hospitals passim a septenary county region north of New York
City.


By partnering with McKenna Long & Aldridge, an international natural law firm with experience in
health care, public policy, corporate and government personal business and former fields, NorMet was capable to
get the first association to file the request.

About McKenna Long & Aldridge LLP


McKenna Long & Aldridge LLP is an international law firm of attorneys and public policy
advisors. The firm provides business solutions in the areas of environmental regulation,
outside law, public policy and regulatory affairs, corporate law, government contracts,
intellectual prop and technology, complex litigation, real the three estates, energy and finance. To learn
more about the firm and its services, log on to www.mckennalong.com.


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Salo, or The Days of Sodom

Fashioning a defence for Salo is a bit like representing Manson at an appeals hearing, and many world Health Organization try ar hard-pressed to come up with explanations why this -- peradventure the most notorious bit of movie theatre ever produced -- is an important piece of work. The story, if you can call it that, is based on the Marquis de Sade's most celebrated work: 16 young boys and girls are rounded up in Nazi Italy and lED off to a palace in the country, where they ar subjected to orgies of infinite varieties, an extended series of experiements regarding human stool, and eventually, put to death en masse. Sure, it's easy to read this as an indictment of the Nazi government -- simply shit feeding is push things a bit. Rather, the more compelling argument is that Pasolini simply gives up: Humanity is lost, perverse, sick, and worthless.


Whether you agree or not, you'll have a very knotty time stomaching this motion-picture show (if you can find it at all). Pasolini's message isn't just unsavoury, it isn't delivered identical well either: The photographic film is harsh, the sound is erratic, the pace is jerky. In all honesty it's a fearsome, terrible experience -- but give the guy deferred payment: It's sure as shooting unique.


Aka Sal� o le 120 giornate di Sodoma.

DJ Deval and Stalefish

   
Artist: DJ Deval and Stalefish

   Genre(s): 
Drum & Bass
   

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Discography:


   
 (Xpress04) Vinyl

   Year: 2005   
Tracks: 2

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CD: N*E*R*D, Seeing Sounds

If dogged persistence always equalled success, then Hillary Clinton would be the Democratic presidential candidate and N*E*R*D might well be the biggest band in the world. For the best part of a decade, production duo Pharrell Williams and Chad Hugo have dutifully plugged away at creating a hybrid between rock music and the R& B and hip-hop with which they made their name. N*E*R*D's two albums to date have been modestly received, and yet you can see why they keep at it. If there's one thing that rock music could really do with, it's a shot of the blue-sky sonic thinking that Williams and Hugo have brought to records by Madonna, Justin Timberlake and Jay-Z. But if the theory behind N*E*R*D's sound is straightforward, the practice has proved troublesome. Their albums to date have strongly suggested that Williams and Hugo can't actually work out how to meld R&B and rock. They had two runs at their debut, In Search Of ... , withdrawing the original electronic version in favour of one featuring live instruments. The follow-up, Fly Or Die, ended up sounding like a nu-metal album, which is really never the right answer, regardless of the question.

Seeing Sounds suggests they're still having problems. They try distorted 70s rock riffs over pungent drum'n' bass and crunk shouting. They try straightforward new-wave pop on Happy. They try employing the Hives: while it's nice to see the Swedish garage rockers' latterday career as muses to the world's greatest urban producers continuing bafflingly apace (they also turned up on Timbaland's last album) their contributions to Windows seem oddly anaemic. Not all the ideas are unsuccessful: Kill Joey has a great 70s cop-show chase riff, Everybody Nose's attempt to transpose rock dynamics on to rattling breakbeats and acidic synth squelch is appealingly propulsive. But even the best tracks are marked by a sense of something lacking, usually a decent song. On the rare occasions when they fetch up with a memorable tune - amid the descending soft-rock chords and thick harmonies of Sooner Or Later, for example - they cling desperately to it for six and half minutes, smothering it with extended codas and widdly guitar solos.

Lyrically, Fly Or Die rather cravenly courted the angsty teenage market. It didn't really work - there's something deeply odd about hearing a 34-year-old multi-millionaire (taking time between squiring Jade Jagger and launching his own jewellery range for Louis Vuitton) trying to convince the globe's adolescent goths that he feels their misery. Seeing Sounds holds back on that kind of thing. Instead, the lyrics are largely about sex. Occasionally, this is diverting: "Nobody make me come like you," offers You Know What, a funny thing for a bloke to sing, implying as it does that she makes it shoot out of his ears or something. But it does get wearisome. The single Everybody Nose putatively tackles the issue of cocaine abuse, but it swiftly becomes apparent that Williams' objections to the drug have less to do with say, the trail of death and environmental devastation wrought by its production, than the fact that a girl with a nosefull is more likely to be interested in dancing or gabbling on than fulfilling her life's destiny, which should be having it away with Pharrell Williams. It has one of those odd introductions that rappers go in for, where they mutter their name a couple of times, say "yeah ... uh huh", then offer a pre-emptive summary of the track's nonpareil qualities: "It takes a lot of courage to say this." It's hard not to feel this is pitching it a bit high: under what circumstances does it take a lot of courage to say that people on cocaine are a pain in the arse? During a night in with the Primrose Hill set? At a meeting of the Norte del Valle Cartel?

You leave Seeing Sounds convinced that Williams and Hugo are no closer to their dream of inventing a successful R&B/rock hybrid. And if producers as talented as this can't do it, then who can? Certainly not their rival Timbaland, whose recent efforts in this direction have been equally underwhelming. It's a hugely appealing idea, but maybe it just can't be done. Perhaps it's time for N*E*R*D to take a leaf out of Mrs Clinton's book and finally concede defeat.


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Dub Tractor

   
Artist: Dub Tractor

   Genre(s): 
Acid Jazz
   Ambient
   

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Discography:


   
 Hideout

   Year: 2006   
Tracks: 9


   
 Delay

   Year: 2000   
Tracks: 10

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Kanye West, record labels sued over jazz samples

NEW YORK - Rappers Kanye West, Method Man, Redman, Common and their record companies are being sued by late US jazz musician Joe Farrell's daughter, who accused them of using her father's music without approval.The lawsuit, filed by Kathleen Firrantello in the US District Court in New York, names the rappers along with various labels owned by Universal Music Group.None of the record companies or representatives for the rappers were immediately available for comment.The lawsuit said all the rappers used portions of Farrell's 1974 musical composition Upon This Rock in three separate songs - West in "Gone," Common in "Chi-City" and Method Man and Redman in their song "Run 4 Cover."Firrantello is seeking punitive damages of at least $1 million and asked that no further copies of the songs be made, sold or performed, according to the lawsuit.- REUTERS/Nielsen

William H. Macy booked for Nantucket fest

Taking part in a panel about screenwriting and acting

William H. Macy will take part in the 13th annual Nantucket (Mass.) Film Festival, which runs June 19-22. Macy is scheduled to join in a conversation about screenwriting and acting with Time critic Richard Corliss.


Brad Anderson's "Transsiberian," starring Woody Harrelson, Emily Mortimer, Ben Kingsley, Kate Mara and Eduardo Noriega, will serve as the opening-night film. Jonathan Levin's "The Wackness," starring Ben Kingsley, Famke Janssen, Josh Peck, Olivia Thirlby and Mary-Kate Olsen, will close the festival.


This year's fest will also introduce the Music Cafe and panel featuring Aware/Columbia artist Mat Kearny, who will perform songs that have appeared in such TV shows as "Grey's Anatomy" and "Friday Night Lights." He'll then join East Coast creative and EMI publishing vp Dan McCarroll and Aware Records/Asquared Management president Gregg Latterman for a discussion.


Other scheduled participants at the festival include Judd Apatow, who is set to receive the NBC Universal Screenwriting Award, and Meg Ryan, the first recipient of the Compass Rose Acting Tribute.


Leonard Maltin will host daily panels with visiting filmmakers under the heading of "Morning Coffee With."

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Amy to headline Bestival stage

AMY WINEHOUSE is set to strut her beehived, tattooed self onstage at Bestival.

The troubled pop princess will headline on the Saturday while UNDERWORLD
will take to the stage on Sunday night.
HOT CHIP, WILL YOUNG, GET CAPE WEAR CAPE FLY and MY
BLOODY VALENTINE are also on the bill for the weekender, which takes
place in the Isle Of Wight from September 5-7.

The festival also boasts a solar powered cinema, posh loos, a boutique
campsite and fancy dress theme.

Michael Jackson 'set for Vegas comeback'

Michael Jackson 'set for Vegas comeback'

Michael Helen Hunt Jackson is reportedly determine to play a Las Vegas residency.

Olsen and Leto 'not back together'

Olsen and Leto 'not back together'

Ashley Olsen has denied reports she's back in the arms of ex-boyfriend worker Jared Leto later the couple was spotted holding men at a recent epoch Los Angeles company.
Guests at the Fine art of Elysium event on 12 Jan watched as Olsen and the actor-turned-rocker kissed and cuddled, merely her aides insist hoi polloi ar reading as well much into the meeting.
Contactmusic quotes a example for Olsen as expression: "They aren't back together. They're friends."




Ambulance LTD

Caught live: Adele in London

Caught live: Adele in London

FROM the streets of Occident Norwood to national consciousness in a few heady
months, it's been a short, sharp rise for 20-year-old Adele Adkins.

And she knows it.

"It's been amazing," she told the sell out push of her John Griffith Chaney usher.

"A year ago I was playing to literally two people at a saloon in frederick North
London. And now ... this."

Backed by a string quaternity and wax circle, the growly voice isaac Bashevis Singer performed a
choice of tracks from her debut album 19.

Whole her songs oozed

Britney Spears' car is impounded

Britney Spears' car is impounded

Pop vocalizer Britney Spears has had her machine impounded afterwards abandoning it in the middle of the road.
According to The great unwashed cartridge clip, the isaac Bashevis Singer left her caucasian Mercedes on a road in Brentwood, CA, after she got a apartment tire.
Lt David Grimes of the Los Angeles Law Department, Occident LA, said: "Ms Spears's elevator car was impounded.
"Officers on the shot told me it was block the roadway, and that it was unsafe enough to leave at the emplacement."
"It was towed by a buck private company that's contracted with the metropolis. Her railroad car is being held at the functionary constabulary garage towage yard."
Grimes too said: "There's not a take for on the vehicle. She just inevitably to establish up to obtain it. She'll have to pay tow fees, and that sum toll depends on how many days she leaves it at that place. Just she won't get any citations or fines."
Spears reportedly accepted a lift from a paparazzo world Health Organization was trailing her after she decided to desert her car.




David Guetta

Ledger's death is ruled accidental

Ledger's death is ruled accidental

The death of Aussie worker Heath Daybook has been ruled accidental by the Fresh York Metropolis Medical exam Examiner's Office.
The office staff said today that the 28-year-old histrion died due to the blackguard of prescription medications.
A instruction said: "Mr Heath Ledger died as the resolution of acute accent intoxication by the combined personal effects of oxycodone, hydrocodone, diazepam, temazepam, xanax, and doxylamine."
"We have concluded that the fashion of death is accident, resulting from the abuse of prescription medications."
The actor's mob released a instruction saying: "Today's results put an terminal to speculation, simply our son's beautiful spirit and enduring storage will forever stay on in our hearts."
"While no medications were taken in surfeit, we learned today the combination of doctor-prescribed drugs proved lethal for our son."
The statement likewise said: "Heath's accidental death serves as a precaution to the hidden dangers of combining prescription medication, even at depression dose."
Ledger was establish dead at his Fresh House of York apartment on 22 Jan.

Lohan, Murphy top the Razzie nominees

Lohan, Murphy top the Razzie nominees

Lindsay Lohan and Eddie Tater have each scored multiple nominations for this year's Razzie Awards.
Celebrating Hollywood's worst in Film, the Razzie nominees were announced in front of the Academy Award nominees.
Lindsay Lohan's thriller, 'I know WHO Killed Me', in which she plays two characters world Health Organization whitethorn or may non be the saami individual, received iX Razzie nominations, amongst them Worst Picture of 2007.
For her Worst Actress nomination, Lohan polled more heavy than any star since Sofia Coppola in 'The Godfather Part Troika,' according to Razzie founder, John Lackland Wilson.
2007 english hawthorn take been the year Eddie Spud won an Academy Prize nomination for his role in 'Dreamgirls', merely that didn't forestall his film 'Norbit' from receiving octad nominations.
Likewise a nod for Worst Scene, five of those went to Spud alone, more than any i person has ever received in a bingle yr.
"We decided that apiece of his characters was so offence that he deserved soul nominations," said Saint John the Apostle Wilson.
Adam Sandler ('I Now Articulate You Ditch & Larry') and Cuba Gooding Jr ('Daddy Day Camp', 'Norbit') joined Tater in the Worst Doer category, on with Nicolas Cage ('Ghost Rider')and Jim Carrey ('The Number 23').
The 'winners' of the 28th Razzies will be announced on 23 February, a day earlier the Oscars.